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Today 12.2.
Open rehearsal „Anna, Mascha und Julia“
(Not) a Chekhov Play
The annual production of the Otto Falckenberg School
7 pm Therese-Giehse-Halle
Sold out
There is a wait list.
Verteidigung der Freiheit – Liberal democracies between self-discovery and self-assertion
On the eve of the Munich Security Conference 2026
7:30 pm Schauspielhaus
Sold out
There is a wait list.
Tomorrow 13.2.
Bevor ich es vergesse
8 – 10:05 pm Schauspielhaus
Few tickets
Saturday 14.2.
Wachse oder weiche
8 – 10:30 pm Schauspielhaus
Am Samstag gehen die Mädchen in den Wald und jagen Sachen in die Luft
Female rage, forest fires, and the WWW—Fioana Sironik's book tells of a destroyed future
Book presentation and discussion by and with Fiona Sironic
7:30 pm Werkraum
Few tickets
Anna, Mascha und Julia
(Not) a Chekhov Play
The annual production of the Otto Falckenberg School
8 pm Therese-Giehse-Halle
Sold out
There is a wait list.
The eco-feminist lab: gender, bodies, and identities.
Deconstructing binaries through embodied practices
3 – 6 pm Habibi Kiosk
Free
Sunday 15.2.
Wallenstein
3 – 10 pm Schauspielhaus
Anna, Mascha und Julia
(Not) a Chekhov Play
The annual production of the Otto Falckenberg School
8 pm Therese-Giehse-Halle
Monday 16.2.
Katzelmacher
What if racism is suddenly sitting in your living room?
8 – 9:20 pm Schauspielhaus
Tuesday 17.2.
Love me tender
A Transgression
Based on the novel by Constance Debré
Introduction from 7:30 pm
8 – 9:50 pm Therese-Giehse-Halle
Wednesday 18.2.
Play Auerbach!
Introduction from 7:30 pm
8 – 10:15 pm Schauspielhaus
More dates
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May we create tomorrow what we cannot imagine today! Theatre, performances, readings, concerts, music – and everything in-between.
May we create tomorrow what we cannot imagine today! Theatre, performances, readings, concerts, music – and everything in-between.
The Habibi kiosk. Everything that is culture flows in and out here. “Who or what is the city”? In the art kiosk we explore the question of how a community with active participation works. The Habibi Kiosk is a transparent window into the Kammerspiele. A space for many perspectives.
Open Tue - Fri 16:00 - 20:00 and during events
The Habibi kiosk. Everything that is culture flows in and out here. “Who or what is the city”? In the art kiosk we explore the question of how a community with active participation works. The Habibi Kiosk is a transparent window into the Kammerspiele. A space for many perspectives.
Open Tue - Fri 16:00 - 20:00 and during events
MK: Music combines subcultures with the possibilities of theater and forms a platform for Munich’s urban society: with international concerts and project developments.
MK: Music combines subcultures with the possibilities of theater and forms a platform for Munich’s urban society: with international concerts and project developments.
Take part
Get into the theater! We give you access to our artists and to all the artistic resources. With guided tours, workshops, talks with artists and other encounter formats.
Get into the theater! We give you access to our artists and to all the artistic resources. With guided tours, workshops, talks with artists and other encounter formats.
MK: SCHICKSALE
The website MK Schicksale is dedicated to the employees of the Münchner Kammerspiele who were deprived of their rights, persecuted, and murdered under National Socialism. As part of an ongoing commitment to remembrance, it seeks to honor and preserve the memory of their often forgotten and suppressed fates.
“A double exposure of the mechanics of war and an exuberant celebration of theatre: (...) In this immersive masterpiece, which spans investigative and literary theatre, performance, spectacle and puppetry, subtle irony, satire and seriousness, everything remains in motion. Even the hope for humanity in the warrior.” Sabine Leucht for the Theatertreffen jury
Jette Steckel and her team have succeeded in creating an evening that transforms Klaus Mann's novel Mephisto into an oppressive, topical study of the relationship between art and power with just a few lines of foreign text. Watching this fantastic ensemble at work, you also see people whom the New Right would love nothing more than to chase off the stage again. This comparison between the historical past and the possible future really hurts." Sabine Leucht for the Theatertreffen jury