Breaking the Spell

Feminist Performance and Practices of Being-With
Festival and platform for exchange
July 8 – 17, 2022

A film inspired by Virginia Woolf that asks for the “Room of Our Own”, a performance that includes deceased relatives, a silent gathering in the forest among those still unknown to each other, a performance as an archive of silent histories, of unnoticed traces, of speechlessness. Can theatre or a performance be a space for feminism in solidarity and encounters? What knowledge, whose ideas have a place here beyond the practised forms? And how would this space have to be set up so that it could be shared between many and entice encounters with the perhaps still unknown?

The artists who will give insights into their artistic works on four double evenings in the Therese-Giehse-Halle and with “Forest Silent Gathering” in Perlacher Forst as part of the project “Breaking the Spell” are working on solidary forms of gathering and passing on knowledge and are interested in the relationships between people, plants and things. As part of the long-term project, they will meet in Leipzig, Munich, Warsaw and Ghent over a period of 5 to 10 days each. Together they transform the respective host institution into a place of feminist togetherness with lecture performances, installations and exchange formats, and invite the audience to unexpected perceptions and encounters.


July 8-10, 12, 13, 19h30, meeting point: Giesinger Waldhaus
Forest Silent Gathering von Begüm Erciyas

Thurs, July 14th, 20-22h, Therese-Giehse-Halle
Museum of the Anthropocene. Lecture Performance by Agata Siniarska
Notes by Ivana Müller. Talk with Ivana Müller, Martina Hefter, Caroline Kapp, Giorgia Ohanesian Nardin und Swoosh Lieu

Fri, July 15th, 20-22h, Therese-Giehse-Halle
Presentations by Alicja Czyczel
and Giorgia Ohanesian Nardin

Sat, July 16th, 20-22h, Therese-Giehse-Halle
Lecture Performance by Martina Hefter
A Room of Our Own. Film by Swoosh Lieu

Sun, July 17th, 20-22h, Therese-Giehse-Halle
“Hold on to your dead”. Performance by Caroline Kapp
“Bodies of Knowledge”. Workshop with Damla Ekin Tokel and further guests.

The installation Notes by Ivana Müller can be visited from 19h30 on all evenings.

With: Alicja Czyczel, Bodies of Knowledge (Damla Ekin Tokel), Begüm Erciyas, Martina Hefter, Caroline Kapp, Giorgia Ohanesian Nardin, Agata Siniarska, Swoosh Lieu (Katharina Pelosi, Rosa Wernecke)
Archiving pratice: Zuzanna Berendt, Anna Majewska
Curation, idea, concept: Marta Keil
Co-curation Munich: Olivia Ebert
Coproducers and partner: Residenz Schauspiel Leipzig, Vooruit Gent, Performing Arts Institute Warsaw, Grzegorz Reske.

Funded by

„Notes“ by Ivana Müller with support by Institut français and the French Ministery for culture / DGCA.

Forest Silent Gathering
von Begüm Erciyas • Im Rahmen von Breaking the Spell
Breaking the Spell: Agata Siniarska/Ivana Müller
Feministische Performance und Praktiken des Zusammen-Seins • Ein...
Breaking the Spell: Alicja Czyczel/Giorgia Ohanesian Nardin
Feministische Performance und Praktiken des Zusammen-Seins • Ein...
Breaking the Spell: Martina Hefter/Swoosh Lieu
Feministische Performance und Praktiken des Zusammen-Seins • Ein...
Breaking the Spell: Caroline Kapp/Bodies of Knowledge
Feministische Performance und Praktiken des Zusammen-Seins • Ein...

Ein Gespräch mit Ivana Müller, Martina Hefter, Caroline Kapp, Giorgia Ohanesian Nardin und Swoosh Lieu

Curatorial Statement by Marta Keil

“Breaking the Spell” is an artistic research project that reflects practices of being-with in contemporary performing arts. It is a space of common learning, that hosts diverse formats of encounters and reflects artistic practices which are deeply political and poetic at the same time. It proposes to think of a feminist perspective not necessarily as a theme, but mainly as a very logic of work. Observing carefully how the artistic practices are situated in the local environments, it asks how they can build and maintain transnational bonds. “Breaking the Spell” emerges from the desire to understand how to make art between the ends of the world.

Borrowing its title from the book by Philippe Pignarre and Isabelle Stengers, the project emerges from the desire to answer the sorcery without sorcerers [1], a capitalist and patriarchal realism, that urgently requires new spells to be cast on. The artistic practices of being-with are understood here as situated ones, deeply embedded in the local ecosystems and genuinely curious about who they are shaped with. They pay a special attention to the embodied experiences and to the lived knowledge; they are deeply political in their rhythm; they focus on setting the space of gathering with collaborators and audiences as much as they focus on its topic; they question the notions of progression and growth as the basis of development; they acknowledge the labour of care and maintenance as crucial elements of artistic practice and refuse to take part in the competition for new and loudly shouted ideas. Thus, these practices challenge the working modes in the performing arts field, refusing to follow the flow of hypermobility and hopping from one festival to another. Instead of seducing large audience for one evening and disappear, they propose an ongoing encounter and stay in a given local context for longer, trying to attune to its sound, landscape and urgencies.

We would like to understand how the methods of being-with in the contemporary performing arts, that are situated in a local context, can form transnational alliances. What can we see while our feet stand firmly on our local ground and thoughts are being shaped with colleagues and audiences situated elsewhere? How might this constellation influence the way we think, work and gather? We strongly believe the artistic practices of being- and thinking-with offer, reflect and generate new political languages and perspectives of performing arts, that we need more than ever before. Therefore we aim at starting a catalogue of practices, methods and recipes for situated artistic practices, that can be further developed far beyond the project frames. We will be looking for the spells that we need to cast in order to break the capitalist and patriarchal realism through. As Verónica Gago pointed out “we don’t know what we’re capable of until we experience the displacement of the limits that we’ve been made to believe and obey.” [2]

The idea of “Breaking the Spell” emerges from a genuine need of strengthening each other in the everyday fights against female and feminised bodies. In that sense, it is deeply grounded in the context of recent backlash against women’s rights and nationalist turn in many countries. If the practices of being-with are situated in the body and its capacity to perceive and to feel (affects), what happens when that very body is endangered? How can the notion of „witchcraft” be recalled here as a political category, an answer to the hostile political context? How and if is the form of resilience possible in case of artistic practices rooted in the local ground, when that very ground get destroyed or becomes hostile?


In each project location the venue will become a „container” - a fluid space for sharing, manifesting and reflecting artistic practices, that welcomes new unexpected relations, contexts and encounters emerging between them. A container is understood here as a metaphor and a way of work: a space to hold on to, to gain strength from, to contain and carry our situated practices and struggles. Its shape is not fixed though: in every location it takes a form that resonates with the local landscape it becomes part of; it slightly transforms every day, responding to the gathered practices, to the rhythm of the conversation and to the surroundings. Gathering artists, thinkers and audiences, it invites them for a journey, where individual and common paths mingle and unexpected trajectories emerge.


The “Breaking the Spell” journey will take place from March 2022 to March 2023 and will be hosted by four European performing arts institutions: Residenz Schauspiel Leipzig, Müncher Kammerspiele in Munich, Performing Arts Institute in Warsaw and Vooruit in Ghent. In each of the locations, closed working sessions will be followed by public programme, prepared in close cooperation with the hosting organisation. Throughout the whole journey Breaking the Spell will be accompanied by NOTES, a project by Ivana Muller, which will manifest in each of the four cities.

One of the project traces will take a form of a book gathering artistic practices, working methods, traces and spells, generated and shared during the four encounters.


Bodies of Knowledge (BOK), Aleksandra Borys, Silvia Bottiroli, Alicja Czyczel, Charlotte Eifler, Begüm Erciyas, Martina Hefter, Samara Hersch, Caroline Kapp, Lina Majdalanie, Agata Maszkiewicz, Giorgia Ohanessian Nardin, Agata Siniarska, Swoosh Lieu, Ingrid Vranken, Stefanie Wenner

Archiving practice

Zuzanna Berendt and Anna Majewska


Ulrike Melzwig

Project curated by

Marta Keil

in cooperation with Residenz Schauspiel Leipzig, Münchner Kammerspiele in Munich, Performing Arts Institute in Warsaw, Kunstencentrum Vooruit in Ghent and Grzegorz Reske.

Programme in Munich is co-curated by Olivia Ebert (Münchner Kammerspiele) and Marta Keil.

Funded by the German Federal Cultural Foundation

Funded by the Federal Government Commissioner for Culture and the Media

“Notes” by Ivana Müller is supported by
Institut Francais
Republic France

[1] Philippe Pignarre, Isabelle Stengers, Capitalist Sorcery. Breaking the Spell, trans. Andrew Goffey, Palgrave Macmillian 2011, p. 135

[2] Verónica Gago, Feminist international. How to change everything, Verso, 2020, p. 2