The image we combat with

In the center of our artistic investigation is a body that reflects everything that happens outside. Thinking about the ways how ideologies shape our bodies and minds, in a very subtle way they restructure us from the inside, choreograph our bodies and finally make our bodies unable to act freely. To participate in violence is to make a rupture between feeling/ emotion and function. Thinking of human bodies only in terms of their functionality helps to control the masses.

Through the image of brutal clown of modernity time, Alina Belyagina is hyperbalazing the body, thinking and moving along with the images from protests, manifestations, violent scenes and is reducing them to the level of a graphic sign or a text, trying to embody them, listen to them, move together and away from them.