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PRODID:-//ical@muenchner-kammerspiele.de//NONSGML kigkonsult.se iCalcreator
  2.41.46//
CALSCALE:GREGORIAN
METHOD:PUBLISH
UID:30633239-6636-4661-b731-353362313331
X-WR-CALNAME:Kammerspiele München
X-WR-CALDESC:
X-WR-RELCALID:79b3aa1b-735a-4467-9fa6-d838918ea225
X-WR-TIMEZONE:Europe/Berlin
BEGIN:VTIMEZONE
TZID:Europe/Berlin
TZUNTIL:20271031T010000Z
BEGIN:STANDARD
TZNAME:CET
DTSTART:20251026T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
RDATE:20261025T030000
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BEGIN:DAYLIGHT
TZNAME:CEST
DTSTART:20260329T020000
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TZOFFSETTO:+0200
RDATE:20270328T020000
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BEGIN:VEVENT
UID:30363837-3331-4630-b633-373762613166
DTSTAMP:20260307T211517Z
CLASS:PUBLIC
DESCRIPTION:Monthati Masebe discusses how composing becomes a living archiv
 e when language fades – and their upcoming opera „Isithunzi“ at the Munich
  Biennale.\n   Colonial sound hierarchies and Western archival practices h
 ave long determined which instruments are preserved and which are allowed 
 to disappear. But what is lost when rhythms\, melodies and tonal systems r
 ooted in indigenous cultures fall silent? Inspired by the knowledge that m
 ore than 600 indigenous instruments are played in South Afr...
DTSTART;TZID=Europe/Berlin:20260425T190000
DTEND;TZID=Europe/Berlin:20260425T190000
SEQUENCE:1
SUMMARY:Kammerspiele München: Listen to the Archive
TRANSP:OPAQUE
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