Fri, 23.1.26
7:30 – 8:40 pm
Tickets
Fri, 23.1.26
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Photo: Sima Dehgani

MK:

2x241 Titel doppelt so gut wie Martin Kippenberger

Every time the art it deserves: an evening between Twitter aesthetics and a vision of doom
By Frankfurter Hauptschule

 Werkraum
 Premiere: 20.11.2025
 approx. 1 hour 10 minutes
 10 €, reduced 5 €
 Werkraum
 Premiere: 20.11.2025
 approx. 1 hour 10 minutes
 10 €, reduced 5 €

Winners of the Heidelberg Play Market stage an evening between conceptual art and theater

Politics, pop and provocation meet in the Werkraum: with their first theatre piece ‘2×241 Titel doppelt so gut wie Martin Kippenberger’, the Frankfurter Hauptschule artists’ collective delivers an absurd and highly political exchange of blows between contemporary diagnosis, dialogue-based confusion, sarcastic invocations of the Nazi era and pure slapstick. The starting point is Kippenberger’s book ‘241 Bildtitel zum Ausleihen für Künstler’ (1986). The collective takes the idea further - and doubles it with its own collection of titles for artworks that do not (yet) exist.

High and pop cultural references merge, overlap and sometimes overwhelm. The stage design, on the other hand, is minimalist: a cross in the centre - symbol, image, projection surface. Christian iconography meets party excess and Almklausi’s ‘Mama Lauda’ to the melody of Gary Jules’ ‘Mad World’ becomes the soundtrack of the present.

For their radical text collage, the Frankfurt secondary school received the Heidelberg Play Market’s Author Award in 2024. In November, they will now stage this wickedly sparkling culture industry potpourri in the Werkraum.

With the kind support of the Hotel Bayerischer Hof
  • assistant director Nicolaus Crayen
  • costume assistant Sophie Höper
  • Artistic Production Management Angelika Koch
  • Production Management Technology Maxi Blässing
  • Stage design construction Valentin Lang
  • stage manager Daniel Rau
  • stage machinery Manuel Weber, Ulrich Heyer
  • Lighting Maxi Blässing, Manuel Sebastian Giesek
  • Sound Leo Algrang, Klaus Möbius
  • Video Florian Limmer
  • Event Technology Nicholas Brown, Daniel Schott, Lizzi Aistermann, Leo Algrang, Janina Voss
  • mask equipment Raimund Richar-Vetter, Brigitte Frank
  • costume Fabiola Maria Schiavulli
  • Carpentry Stefan Klodt-Bussmann, Josef Friesl
  • Metalwork Friedrich Würzhuber, Jürgen Goudenhooft
  • Scenic Painting Jasmin Bude
  • performance rights henschel SCHAUSPIEL Theaterverlag Berlin GmbH
  • Photo credits Sima Dehgani

Press reviews

“In the ping-pong battle of misplaced quotes and hyper-intelligent bon mots, one slowly but surely loses one’s bearings, the brain capitulates in its pursuit of all the associations that have been triggered, the partially projected lines begin to creep across the beams, detaching themselves from their meanings, floating freely for a moment.”

nachtkritik.de • 21.11.25

“Between chatbot and flickering visions of doom, the 2 × 241 tracks function as a ludicrous satire on the compulsive meaningfulness of art. In any case, the storm of discourse is fun.”

Die Zeit • 21.11.25

“…Fairytale time in a frenzy of discourse. This creates a wonderful lightness of spirit.”

Süddeutsche Zeitung • 21.11.25

“As with all art in the Dada tradition, the message of the evening is to mock every message, indeed to celebrate irritation. There could hardly be more intellectual rebellion in times like these, when everything is supposed to be as clear as possible so that no one feels ‘unsettled’.”

Münchner Merkur • 22.11.25

“The tone for the evening is set: overstretched jokes, ironic death, ironic life, ironic culture, and a defiant intellect.”

taz • 23.11.25

Dates & Tickets

2x241 Titel doppelt so gut wie Martin Kippenberger
  • Werkraum
  • Premiere: 20.11.2025
  • approx. 1 hour 10 minutes
  • 10 €, reduced 5 €