Sat, 11.7.
8 – 9:10 pm
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Sat, 11.7.
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Photo: Judith Buss

MK:

Mein kleines Prachttier

Based on the novel by Lucas Rijneveld
Translated from the Dutch by Helga van Beuningen

 Schauspielhaus
 Premiere: 13.06.2026
 1 hour 10 minutes
 With English surtitles starting on 20.6.
 Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €
 Schauspielhaus
 Premiere: 13.06.2026
 1 hour 10 minutes
 With English surtitles starting on 20.6.
 Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €

In the name of love

How can shame switch sides? Following “Fräulein Else”, Leonie Böhm continues her work towards establishing a dialogue and a different kind of coexistence beyond patriarchal structures of violence.

The story of a veterinarian and his ‘chosen one’ – a young farmer’s daughter – touches the limits of what can be said. It is a highly ambivalent introspection into a claustrophobic world. And it is a text that creates a space for the longing for words in a world of speechlessness and silence. The imagined perspective of a man who mercilessly confronts his own potential for violence becomes the starting point for a playful exploration by three women. How can we help shape the discourse on violence against women’s bodies and take responsibility for one another?

Director Leonie Böhm, known for her radical deconstructions of classical works, is returning to the Münchner Kammerspiele following her productions of “Die Räuberinnen” and “Yung Faust”. And this time, she is taking a contemporary text as her starting point. In her work, Böhm focuses on creating an intimate space on stage with her actors to explore different forms of living together – in a radically open and vulnerable manner.

“For me, the spectacular thing about “My Heavenly Favourite” is that an author imagines the perspective of a perpetrator which accomplishes something, i.e. it contributes to the way the addressed topics change the discourse and the way we think about the whole issue. This perpetrator’s perspective bares all, explains itself, puts itself up for discussion, attempts to put itself into words, attempts to recognise itself, attempts to make itself vulnerable. Putting oneself up for discussion, dragging oneself into visibility with all one’s thoughts, feelings and actions – that is the political act embarked upon by this book which, on the one hand, is fictional and, on the other, has actually changed my way of thinking.”

– Leonie Böhm

  • Assistant director Constanze Nogueira Negwer
  • Stage design assistant Stella Brauer
  • Costume assistant Pauline Heitmann
  • Stage management Hanno Nehring
  • Soufflage Daphne Chatzopoulos
  • Surtitles Yvonne Griesel (SPRACHSPIEL)
  • Translation Surtitles Anna Galt
  • Artistic Production Management Zora Luhnau
  • Technical production management Valentin Lang, Adrian Bette
  • Stage master Thomas Graml
  • Sound Korbinian Wegler, Paolo Mariangeli, Korbinian Wegler, Paolo Mariangeli
  • Props Manuel Kößler
  • Stage Machinery Nikos Leeb, Stephan Preusser
  • Signal box John-Philipp Schoch, Christian Mahrla
  • Lighting Felix Adams, Yongwoo Kwon, Sebastien Lachenmaier
  • Make-Up Miriam Funck, Marisa Schleimer
  • Costumes Angelika Stingl
  • Props department Manuel Kößler
  • Carpentry Clemens Künneth, Sebastian Nebe, Ellen Bosse, Hannes Bickelbacher, Freya Mueller, Tobias Holland, Michael Buhl, Stefan Klodt-Bussmann, Josef Friesl, Franz Wallner
  • Metalworker Friedrich Würzhuber, Jürgen Goudenhooft
  • Decoration Tobias Herzog, Tim Hagemeyer, Maria Hörger, Anja Gebauer
  • Scenic Painter Ingrid Weindl, Natalie Knäble
  • Stage Sculpture Maximilian Biek, Sebastian Wächter
  • Performance rights Basierend auf „Mijn lieve gunsteling“ von Lucas Rijneveld, erschienen bei Uitgeverij Atlas Contact Aus dem Niederländischen von Helga van Beuningen (Suhrkamp Verlag GmbH, Berlin) In einer Bühnenfassung der Münchner Kammerspiele
Three people posing with a large sculptural antler structure indoors.
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Judith Buss

Find out more here about the author Lucas Rijneveld and the novel “Mein kleines Prachttier”.

Press reviews

“It [the evening] explains nothing; at its core, it is a dark monolith. But with a bright ending.”
Süddeutsche Zeitung • 15.6.26
“And here, two people are ashamed on behalf of this one man—and many others. But they are also—there is no other way to put it—cheeky.”
Nachtkritik • 14.6.26
“… they demonstrate—even more radically than in 'Fräulein Else'—that patriarchal violence can truly be overcome.
Deutschlandfunk Kultur • 13.6.26
The evening lasts no more than an hour, and rarely has the Schauspielhaus been so hushed—with the audience so captivated by every word spoken on stage.

 
Abendzeitung • 15.6.26

Dates & Tickets

If you buy tickets for both “Fräulein Else” and “Mein kleines Prachttier” on 19 & 20 June, you’ll receive a 10% discount. The discount will be applied automatically when you purchase both tickets online at the same time.

  • Sat 20.6. 8 – 9:10 pm

    Introduction from 7:30 pm

    Talk afterwards

    English surtitles Saturday subscription
  • Wed 1.7. 8 – 9:10 pm

    Introduction from 7:30 pm

    English surtitles
  • Tue 7.7. 8 – 9:10 pm

    Introduction from 7:30 pm

    Talk afterwards

    English surtitles
  • Sat 11.7. 8 – 9:10 pm
    Last performance of the season English surtitles
  • Fri 25.9. 8 – 9:10 pm
    Friday subscription
    On sale from 15.7.
  • Sun 8.11. 7 – 8:10 pm
    Sunday subscription
    On sale from 1.10.
  • Thu 19.11. 8 – 9:10 pm
    Thursday subscription
    On sale from 1.10.
Mein kleines Prachttier
  • Schauspielhaus
  • Premiere: 13.06.2026
  • 1 hour 10 minutes
  • With English surtitles starting on 20.6.
  • Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €