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Photo: Judith Buss

MK:

Wokey Wokey

A behind-the-scenes satire about the film adaptation of a global bestseller
By Nora Abdel-Maksoud

 Schauspielhaus
 World premiere
 Premiere: 27.3.2026
 1 hour 30 minutes
 With English surtitles
 Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €
 Schauspielhaus
 World premiere
 Premiere: 27.3.2026
 1 hour 30 minutes
 With English surtitles
 Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €

A steep ride on the backlash wave

Culture wars are box-office hits – and not just ideologically. So it’s only fitting that film director Gordon would turn her attention to the supposed moral terror of woke minorities. With an ever so slightly highly strung team, she is daring to tackle a remake of George Orwell’s classic “1984”: a dystopian international bestseller about a totalitarian society and an insecure hero who fights against bans on thought and speech, against surveillance, newspeak and the thought police.

In “The Sequel” in 2018, playwright and director Nora Abdel-Maksoud created a sharp analysis of the discourse surrounding political correctness and identity politics. But that was long before the gender ban in Bavaria and the anti-diversity policy in the USA – so it’s high time for a revival!

Following her multiple-award-winning plays “Jeeps” and “Doping”, both commissioned by the Münchner Kammerspiele, in “Wokey Wokey” Nora Abdel-Maksoud examines right-wing discourse strategies for their comedic potential and catapults an overwhelmed film crew right into the debates of our time.

‘I am in favour of human rights in parts. I just think that maximum demands don’t get anyone anywhere.’

(Birgit, actress, 1984)

A commissioned work by Münchner Kammerspiele
  • Assistant to the director Constanze Nogueira Negwer
  • Assistant Stage Designer Stella Brauer
  • Assistant Costume Designer Pauline Heitmann
  • Stage Manager Julia Edelmann
  • Prompter Daphne Chatzopoulos
  • Directing Intern Carla von Braha
  • Stage Design Intern Marlene Schmid
  • Costume Design Intern Leonie Krüger
  • Translation surtitles Anna Galt
  • Surtitles Yvonne Griesel (SPRACHSPIEL)
  • Artistic Production Management Victoria Fischer
  • Technical Production Management Adrian Bette, Valentin Lang
  • Stage Master Josef Hofmann
  • Stage Machinery Michael Preusser, Nikos Leeb
  • Lighting Sebastien Lachenmaier, Louis Nickel, Wolfgang Wiefarn
  • Signal box Christian Mahrla
  • Sound Johann Jürgen Koch, Paolo Mariangeli, Ulrich Treutwein
  • Props Anette Schultheiss, Sabine Schutzbach
  • Make-Up Caroline Montfort, Steffen Roßmanith
  • Costumes Arite Pissang, Fabiola Maria Schiavulli
  • Carpentry Hannes Bickelbacher, Ellen Bosse, Josef Friesl, Clemens Künneth, Freya Mueller, Sebastian Nebe, Josef Piechatzek, Franz Wallner, Hannes Zippert
  • Metalworkers Jürgen Goudenhooft, Fritz Würzhuber
  • Decorations Anja Gebauer, Tim Hagemeyer, Tobias Herzog, Maria Hörger
  • Scenic Painting Jasmin Budde, Evi Eschenbach, Natalie Knäble, Jeanette Raue, Ingrid Weindl
  • Stage Sculpture Maximilian Biek
  • Performance rights schaefersphilippen, Theater und Medien GbR, Köln
c
Judith Buss
Learn more

Find out more about the term ‘woke’, the background to the production, and George Orwell’s “1984”!

28.4.
TUM Special „Wokey Wokey“

Performance visit and Behind the Scenes

21.5. Habibi Kiosk
Jour Fixe „Wokey Wokey“ für Lehrkräfte

Joint screening followed by a discussion with Thomas Ritter and guests at the Habibi Kiosk

Press reviews

“In this production, the author—who is once again directing—skillfully breaks down genre boundaries and brings a low-budget film shoot to life on the theater stage—complete with stunning still images, split screens, and slow motion.”

nachtkritik.de • 28.3.26

“It’s a theatrical evening whose intensity pulls you into your seat like a fast-paced movie—and in a way, that’s exactly what it is.”

Süddeutsche Zeitung • 29.3.26

“This is a high-speed comedy packed with jokes—ranging from witty to clever to downright slapstick—frantic, hilarious, and fast-paced, a real treat.”

Deutschlandfunk Fazit • 27.3.26

“The key to Abdel-Maksoud’s work is that the crucial element lies in the framing of the shot. Time and again, the frame of the brightly lit stage box (set design by Moïra Gilliéron) shifts, allowing the same scene to appear anew in a different context.”

 

 

Welt • 6.4.26

“Nora Abdel-Maksoud has a knack not only for dark humor, but also for precise timing, pacing, and casting the perfect ensemble. Alongside Eva Bay, Stefan Merki, and Vincent Redetzki—who have appeared in several of her plays—Maren Solty and Johanna Eiworth shine in this production.”

Die deutsche Bühne • 28.3.26

“Scene follows scene, joke follows joke, and as breathlessly demanding as this evening is—at some point, you find yourself in sync with the ensemble. And you sense that this production by Nora Abdel-Maksoud is also going to be a hit.”

 

 

Abendzeitung • 30.3.26

“And secondly, five actors who really know their stuff—including Johanna Euiworth and Stefan Merki—get to go all out at the highest level(…)”

Münchner Merkur • 30.3.26

Dates & Tickets

  • Wed 15.4. 8 – 9:35 pm
    Wednesday subscription
  • Sun 19.4. 4 – 5:35 pm
    Sunday afternoon subscription
  • Tue 28.4. 8 – 9:35 pm

    Talk afterwards

    For TUM students 5€ Tuesday subscription
  • Mon 11.5. 8 – 9:35 pm
    Monday subscription
  • Thu 21.5. 8 – 9:35 pm

    Introduction from 7:30 pm

  • Sun 7.6. 7 pm
    Sunday subscription
  • Thu 18.6. 8 pm
    Thursday subscription
    On sale from 4.5.
Wokey Wokey
  • Schauspielhaus
  • World premiere
  • Premiere: 27.3.2026
  • 1 hour 30 minutes
  • With English surtitles
  • Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €