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- Deutsch
- Leichte Sprache
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- Deutsch
- Leichte Sprache
Based on the novel by Mikhail Bulgakov
Translated by Alexandra Berlina
The least you can do is believe in the devil!
How does evil come into the world? In any case, the devil is on the loose in the city. Together with his two assistants – one of them in the form of a giant cat – he wreaks havoc in the metropolis, Moscow in the 1930s. The diabolical trio exposes corrupt greed, betrayal and hypocrisy. Only Margarita and her lover, the Master, author of a banned novel, are spared.
Mikhail Bulgakov, born in Kyiv in 1891, died in Moscow in 1940, where he had been writing his novel since 1928, ‘condemned to silence’ under Stalinist repression and censorship, with no prospect of publication. A writer in isolation, powerless to do anything, imagines a devil who brings the conditions of an autocratic system to life with his powerful language. When ‘The Master and Margarita’ was published posthumously in 1966, the novel became a cult classic: many learned it by heart, and the censored passages circulated underground.
The Master and Margarita, this real-fantastic novel, is a labyrinth that is easy to enter but difficult to find your way out of; it is intoxicating and anarchic, dark and funny, moving, confusing and enlightening. It names the greatest of all sins in the world: cowardice.
Jette Steckel, who most recently brought Mephisto to the stage of the Kammerspiele after Vaterlosen (both invited to the Berlin Theatertreffen), once again stages a major political work with The Master and Margarita.
“Certainly, man is mortal, but that’s not the half of it. The worst thing is: he’s mortal all of a sudden. That’s the crux of the matter! Man can’t even say what he’s going to do that self-same evening.”
– from “The Master and Margarita”
- With Erwin Aljukić, Elias Krischke, Christian Löber, Linda Pöppel, Wiebke Puls, Thomas Schmauser, Edmund Telgenkämper, Martin Weigel
- Supernumerary Maryna Adamenko , Henning Grimpe , Leonie Menzel, Dalia Parisi Stix, Alvaro Rentz, Sara Wobido
- Directed by Jette Steckel
- Stage Design Florian Lösche
- Costume Design Pauline Hüners
- music Mark Badur
- Videodesign Zaza Rusadze
- Choreography Dustin Klein
- Lighting Design Maximilian Kraußmüller
- Dramaturgy & adaption Emilia Heinrich
- Adaption Jette Steckel
- Dramaturgy Julia Lochte
- surtitling Yvonne Griesel (SPRACHSPIEL)
- Translation Surtitles Anna Galt
- assistant director Jakob Elija Seeberger
- stage design assistant Hans Werner
- costume assistant Jacqueline Elaine Koch
- Assistant to the team Lucas-Lionel Jäkel
- stage management Barbara Stettner
- soufflage Verena Rendtorff
- Directing Intern Laura König-Svetozarova
- Stage Design Intern Lucia Hecke, Hannes Meck
- Costume intern Mira Bieber, Tabea Helena Tatge
- Dramatury Intern Sophia Fanelli
- Hypnosis counseling Thimon von Berlepsch
- Artistic Production Management Zora Luhnau
- Production Management Technology Jonas Pim Simon
- Stage manager Thomas Graml
- Stage machinery Stefan Egger, Florian Obermeier
- Signal box Diana Dorn
- Lighting Felix Adams, Parthasarathi Sampath Kumar, Mirko Mayrold Neubauer, Daniel Prütz
- Sound Korbinian Wegler, Katharina Widmaier-Zorn
- Video technology Jens Baßfeld, Daniel Steigthaler, Dirk Windloff
- Mask Raimund Richar-Vetter, Sofie Reindl-Grüger, Sylvia Janka, Thomas Opatz
- Costume Bernd Canavan, Marija Ružić, Jessica Watermann, Nico Vanni
- Props Anette Schultheiss, Sabine Schutzbach, Julia Molloy
- Carpentry Josef Friesl, Josef Piechatzek, Michael Buhl, Stefan Klodt-Bussmann, Hannes Zippert, Hannes Bickelbacher, Freya Mueller, Franz Wallner
- Metalwork Fritz Würzhuber, Jürgen Goudenhooft
- wallpapering Tobias Herzog, Anja Gebauer, Maria Hörger, Tim Hagemeyer
- Scenic Painting Evi Eschenbach, Jeanette Raue, Jasmin Budde, Natalie Knäble, Ingrid Weindl
- Performance rights Anaconda Verlag in der Penguin Random House Verlagsgruppe GmbH, München
Press reviews
“My goodness, how exceptionally talented is this ensemble?”
Dates & Tickets
-
Mon 13.4. 7 – 11:10 pm
Introduction from 6:30 pm
Young night afterwards
Monday subscription -
Sat 18.4. 7 – 11:10 pm
Introduction from 6:30 pm
Saturday subscription -
Mon 18.5. 7 – 11:10 pm
Introduction from 6:30 pm
-
Fri 22.5. 7 – 11:10 pm
Introduction from 6:30 pm
Friday subscription -
Fri 29.5. 7 – 11:10 pm
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Wed 10.6. 7 pmWednesday subscription
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Sun 14.6. 4 pmSunday afternoon subscription
- Schauspielhaus
- Premiere: 6.3.2026
- approx. 4 hours 10 minutes with intermission
- With English surtitles
- Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €