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- Leichte Sprache
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- Deutsch
- Leichte Sprache
A Munich remembrance revue
By Avishai Milstein
The ‘Messiah of the Survivors’ – thoroughly forgotten!
Have you heard of Philipp Auerbach? The successful entrepreneur survived Auschwitz; in 1945, he was appointed ‘State Commissioner for Racially, Politically and Religiously Persecuted Persons’ by the Americans in Munich. For many, he was a kind of ‘Messiah’ who helped surviving Jews emigrate to Israel. At the same time, he sought to re-establish Jewish life in Germany. Auerbach’s life ended in tragedy: his commission was closed down and, in 1952, a Munich court convicted him of corruption and embezzlement of state funds. Auerbach committed suicide. Two years later, he was rehabilitated – and then thoroughly forgotten!
Avishai Milstein, born in Tel Aviv in 1964, deploys a savage dark humour to distil true and fictional encounters from Auerbach’s sorely tried existence, confronting us in this revue of remembrance with our own failings and forgetting. In a near future in which there is virtually no Jewish life left in Germany, and also no theatres, an anti-Semitism commissioner is rehearsing an ‘Auerbach Memorial Revue’. But the rehearsal goes awry when the lead actor reveals himself to be Jewish and refuses to stick to the script he has been given.
Brilliant live music, an ensemble pushing itself to its limits and a writer who drives us deep into the dark abysses of our souls: “What on earth has gone wrong with the Jews in Germany? Why aren’t they there anymore?”
They are back. Everywhere.
The notorious executioners of souls.
Everywhere, one hears the humiliated
clamouring for dignity and honour.
The defeated are claiming the future
– Song from “Play Auerbach!” by Avishai Milstein
- With André Benndorff, Johanna Eiworth, Samuel Finzi, Annika Neugart, Wiebke Puls, Edmund Telgenkämper, Martin Weigel
- Live Music Rainer Süßmilch
- Live music Philipp Haagen
- Directed by Sandra Strunz
- Stage Design Annette Kurz
- Costume Design Sabine Kohlstedt
- Musical direction / Composition Rainer Süßmilch, Philipp Haagen
- Lighting Design Stephan Mariani
- choreography Lisi Estaras
- Dramaturgy Viola Hasselberg, Anna Laner, Stella Leder (Institut für Neue Soziale Plastik)
- Collaboration text Marisa Wendt
- assistant director Jakob Elija Seeberger
- stage design assistant Hans Werner
- costume assistant Jacqueline Elaine Koch
- stage management Hanno Nehring
- soufflage Daphne Chatzopoulos
- Directin Intern Simon Wimmer
- stage design internship Linda Behringer
- Costume internship Emilia Parada-Berger
- Production Management Art Josh Menges
- Production Management Technology Jonas Pim Simon
- Stage manager Marcel Homack
- Stage machinery Ulrich Heyer
- Signal box William Grüger
- Lighting Felix Adams, Daniel Prütz, Louis Nickel
- Sound Korbinian Wegler, Quirin Schacherl
- mask Sylvia Janka
- Mask Sofie Reindl-Grüger, Mai Strathmann
- Costume Teresa Winkelmann, Bernd Canavan, Maria Popp
- Prop Julia Molloy, Manuel Kößler
- Metalwork Friedrich Würzhuber, Jürgen Goudenhooft
- Carpentry Sebastian Nebe, Ellen Bosse, Wolfgang Mechmann, Franz Wallner, Michael Buhl
- Decoration Anja Gebauer, Maria Hörger, Tim Hagemeyer, Tobias Herzog
- Scenic Painting Evi Eschenbach, Jeanette Raue, Natalie Knäble, Ingrid Weindl
- Stage Sculpture Maximilian Biek
- performance rights Drei Masken Verlag
- Photo credits Julian Baumann
Press reviews
“A casting coup is actor Samuel Finzi, who brings his own vulnerability as a Jew in the local acting business to the role.”
Dates & Tickets
-
Fri 19.12. 8 – 10:15 pm
Introduction from 7:30 pm
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Fri 26.12. 6 – 8:15 pm
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Sat 10.1.26 8 – 10:15 pm
Talk afterwards
Saturday subscription -
Mon 12.1.26 8 – 10:15 pmMonday subscription
-
Tue 27.1.26 8 – 10:15 pm
Introduction from 7:30 pm
Talk afterwards at Habibi Kiosk
Tuesday subscription -
Wed 25.2.26 8 – 10:15 pmWednesday subscription
- Schauspielhaus
- World premiere
- Premiere: 4.12.2025
- 2 hours 15 minutes
- With English surtitles
- Thu-Sat: 15-45 €, Sun-Wed: 10-40 €, under 30 years each seat category: 10 €