A Shakespeare project
Annual production Otto Falckenberg School
Directed by: Jorinde Dröse & Anne Habermehl
In dealing with the universal themes of love, identity, origin and power, Shakespeare’s works - despite or precisely because of their age - offer an incorruptible power. Together with the 3rd year students of the Otto Falckenberg School, directors Anne Habermehl and Jorinde Dröse examine Shakespeare’s greatest hits.
Titania and Oberon’s conflict sparks a confusion of emotions, which Puck joyfully drives even further into the centrifuge of identities. In the forest at night, Hamlet meets a ghost, Juliet loves Romeo, Helena pursues her lover, Lady Macbeth and Macbeth plot murder and Othello gets a mad flea of jealousy in his ear. A firework display of emotions, love, greed for life and power, at the end of which the question arises: is it possible to change the narrative of these greedy entanglements?
The artist Sofiia Melnyk creates a live-drawn stage space for this magical night. Costume designer Juliane Kalkowski creates a universe of fantasy. After the work “Glow Box BRD”, this is the second work by the directing team.
- With Max Faatz , Sebastian Fink , Emma Floßmann , Anastasiia Kostur , Frida Lang , Marlene Markt , Philipp Mohr , Annika Molke , Claudia Gyasi Nimako , Clara Walla
- Directed by Jorinde Dröse, Anne Habermehl
- Costumes Juliane Kalkowski
- Video and Design Sofiia Melnyk
- Dramaturgy Tobias Schuster
- Assistant director Antonia Grahmann
- Assistance equipment Felix von Loeffelholz
- Production management art Victoria Fischer
- Technical production manager Adrian Bette
- Stage Master Marcel Homack
- Stage Machinery Thomas Grill
- Lighting Michael Barth, Tankred Friedrich
- Sound Nicholas Brown
- Video Zara Lazarevic, Dirk Windloff
- Make-Up Mai Strathmann
- Costumes Marija Ružić
- Props Markus Bührend, Lucia Eidmann , Florian Limmer
- Metalworkers Jürgen Goudenhooft, Friedrich Würzhuber
- Decorations Anja Gebauer, Tobias Herzog, Maria Hörger
- Scenic Painting Evi Eschenbach, Ingrid Weindl
- With special thanks for the support to Marcus Boshkow, Axel Humbert, Johanna Richter