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An End-Times Fantasy Based on the Novel by Thomas von Steinaecker
Director: Gernot Grünewald
Enter our post-apocalyptic future!
Enter a multimedia theatrical obstacle course! Based on Thomas von Steinaecker’s science fiction novel, which was nominated for the German Book Prize, Gernot Grünewald develops an immersive spatial experience poised between drama, installation and video art in which the audience can freely move around.
After the end of the world, young Heinz is one of the last people still to be living on an alpine pasture in the region of Berchtesgadener. Ever since a major disaster, it is only possible to survive in a few areas of Germany which are covered by huge protective shields. Heinz is trying to collect as much of the lost culture as possible and write a kind of history of the last people. When one of the shields explodes, he and a small group of survivors suddenly become refugees. They embark on an apocalyptic road trip through a devastated Bavaria.
Gernot Grünewald’s work, which is poised between video and installation art, has an extraordinary visual power. In “The Defence of Paradise”, he allows us to experience a world after the catastrophe and, with his ensemble, creates a strikingly direct encounter between the audience and the actors.
The theater tour is divided into several stations. You can choose between four different starting times for each performance and will then be guided from station to station. Please arrive at the foyer of the Therese-Giehse-Halle at the time you have booked. The duration of the entire course is approx. 2 hours 15 minutes. The tour is wheelchair-accessible, but other paths are used and accompanied in places. Sensory information: Parts of the tour are located in narrow and dark rooms. Fog and rapid light changes are used. Various technical aids such as headphones and VR glasses are used. It is possible to stop or skip individual stations on the course at any time. Each station is supervised.
- With (live) Erwin Aljukić, André Benndorff, Sebastian Brandes, Nadège Meta Kanku, Maren Solty, Luisa Wöllisch, Marlon Bienert , Alisha-Vivienne Hellmuth , Enes Şahin
- With (digital) Johanna Eiworth, Walter Hess, Anja Signitzer, Fabian Moraw, Wiebke Puls, Şafak Şengül
- Directed by Gernot Grünewald
- Stage Design Michael Köpke
- Costumes Katharina Arkit
- Music Daniel Sapir
- Video Thomas Taube
- Virtual Reality Carla Streckwal
- Sounddesign (reception camp & ship's cell) Jan Godde
- Light Charlotte Marr
- Dramaturge Hannah Saar
- Assistent to the Director Melina Dressler
- Stage Design Assistent Katharina Quandt
- Assistant Costume Designer Rafael Hinz
- Stage Manager Hanno Nehring
- Artisic Production Manager Victoria Fischer
- Directing Intern Kayana Bohr, Annika Schäfer
- Stage Design Intern Lena Hölzl
- Costume internship Elea Claße
- Theater pedagogical support Daniela Blümel
- Technical production management Carolin Husemann
- Stage Master Trevor Nelthorpe, Josef Hofmann
- Stage Machinery Florian Obermeier
- Signal box Falko Rosin
- Lighting Wolfgang Wiefarn
- Sound Thomas Schlienger, Korbinian Wegler
- Video Jens Baßfeld, Maurizio Guolo
- Make-Up Raimund Richar-Vetter, Marisa Schleimer
- Costumes Fabiola Maria Schiavulli, Angelika Stingl
- Props Dagmar Nachtmann, Heidemarie Sänger
- Carpentry Sebastian Nebe, Josef Friesl, Michael Buhl, Stefan Klodt-Bussmann, Franz Wallner, Hannes Zippert, Clemens Künneth, Ellen Bosse, Lizzi Aistermann, Wolfgang Mechmann
- Locksmithery Friedrich Würzhuber, Jürgen Goudenhooft, Andreas Bacher
- Decorator Maria Hörger, Anja Gebauer, Tobias Herzog
- Scenic Painting Evi Eschenbach, Salvatore van den Busken
- Stage Sculpture Maximilian Biek, Lena Hölzl
- Stage Sculpture of the cow's head Sarah Grünwald
- Audience support Antonina Gruse, Anna Luster, Luis Brunner, Ivan Vlatković, Noah van Moll, Paul Fontheim
Press reviews
“Insgesamt erlebt man bei diesem theatralen Kreuzweg ein gut gebautes und auch technisch beeindruckendes Stück Untergangs-Kulinarik, quasi eine Wohlfühl-Katastrophe zum Mitfiebern.”
“Theater im klassischen Sinne darf man allerdings nicht erwarten, vielmehr ein multimediales Event, welches die Zuschauer immersiv teilhaben lässt an den Erlebnissen des kleinen Grüppchens und sie selbst zu Akteuren macht, die mitten drin im Geschehen sind.”