MK:

Season 25/26

Dear Audience

We warmly welcome you to the 25/26 season at the Münchner Kammerspiele – a place for curiosity, reflection and community where we want to discuss the present and future together in an artistic way.

This season, our plays are about many things – actually, they’re about everything: about war and peace; about being displaced and in the right place; about women and resistance. And of course – as something inherent to everything we do – they’re about hope and love. So when we say everything’s on the line, we mean, above all, that it’s about waking up and heeding an urgent call to resist in the face of threats to democracy and blindness to our history.

Bringing history back to life is a thread that runs through our programme. We believe it is an absolute necessity if we are to have any hope of successfully arriving in the present and understanding it. We want to explore what extinction looks like and understand the enduring power of authoritarianism. The, as yet, untold fates of yesterday are also crucial for today and tomorrow – because only what we are told can affect our understanding of reality.

Season 25/26
Premieres 25/26
Premiere 4.10.
Wallenstein

Seven hours of war, hubris and peace: Bon appétit! • Directed by: Jan-Christoph Gockel • A slaughter feast in seven courses • Adapted from Friedrich Schiller

Premiere 8.10. UA
Bevor ich es vergesse

The story of a reconciliation • Direction, version and acting: Wiebke Puls • Farewell to a Father • Adapted from the novel by Anne Pauly

Premiere 24.10. UA
Wachse oder Weiche

An evening featuring cooperative banks, a giant pumpkin and Allgäu blues • Director and musical direction: Maxi Schafroth • On the fascination of growth. • A fusion of theatre, cabaret and music with Maximilian Schafroth

Premiere 30.10. UA
Zeit ohne Gefühle

The past never goes away • Director: Christine Umpfenbach • A story from Feldafing about all of us by Lena Gorelik

Premiere 4.12. UA
Play Auerbach!

The ‘Messiah of the Survivors’ – thoroughly forgotten! • Director: Sandra Strunz • A Munich remembrance revue • By Avishai Milstein

Premiere 16.1.26
Love me tender

What would you risk to be free? • Director: Felicitas Brucker • A Transgression • Based on the novel by Constance Debré

17.1.26
Pinocchio

Little puppet made from pinewood, wake up! • Director: Wu Tsang • A fantastic journey of adventure • by Moved by the Motion, based on the novel by Carlo Collodi

Premiere 14.2.26 UA
Anna, Mascha und Julia

Wild montage, familiar characters, a brand new show! • Director: Lizzy Timmers • (Not) a Chekhov Play • The annual production of the Otto Falckenberg School

Premiere 6.3.26
Meister und Margarita

The least you can do is believe in the devil! • Director: Jette Steckel • A metaphysical thriller • Based on the novel by Mikhail Bulgakov

Premiere 27.3.26 UA
Wokey Wokey

A steep ride on the backlash wave • Director: Nora Abdel-Maksoud • A funny-sad drama about the remake of a film adaptation of a very well-known and very good novel: “1984” • By Nora Abdel-Maksoud

Next date 2.4.26
Fräulein Else

“But I’ve never been so sensible.” • Director: Leonie Böhm • Freely adapted from Arthur Schnitzler by Leonie Böhm and Julia Riedler

UA
Enjoy Schatz

Poised between artist, woman and fictional character • Director: Sarah Kohm • By Jovana Reisinger • In a version by Veronika Bachfischer, Sarah Kohm, Elisa Leroy and Jovana Reisinger

Premiere 26.4.26
Eurydike und Orpheus

One should at least be allowed to hope for immortality • Director: Anna Smolar • Musical theatre about the hope for immortal love • Based on a libretto by Robert Bolesto with music by Jan Duszyński

Premiere 25.4.26 UA
Ein neues Tanztheaterstück

Hello, Body! • Director: Doris Uhlich • By Doris Uhlich

Mein kleines Prachttier

In the name of love • Director: Leonie Böhm • based on the novel by Lucas Rijneveld • Translated from the Dutch by Helga van Beuningen

Museum of Human Hunting

About the hunt for human beings in the context of EU border policy • Concept und Direction: Thomas Bellinck • An audio installation by Thomas Bellinck

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Where to Now?

“How can one return to a moment that one has never left?”

Oded Wolkstein

What is it?

A series focusing on the central question of Jewish life, “Where to now?”, in different eras. From October to December 2025, we are presenting two world premieres by Jewish writers, complemented by films, panel discussions, readings and a comprehensive artistic education programme for schoolchildren.

What is it about?

“Where to Now?” refers, on the one hand, to the period immediately following 1945 when hundreds of thousands of Jews decided to leave Germany (again). But “Where to Now?” also refers to our current time – to the ramifications of the Russian war of aggression against Ukraine, to 7 October 2023 and to the huge increase in anti-Semitic incidents. “Where should we/can we/do we want to go? Where is it possible to have a life worth living?” are the questions Jews around the world are facing – and which we are addressing in an artistic way.

Who is it with?

“Where to Now?” is being curated in collaboration with the Institute for New Social Sculpture and jointly organised with the Jewish Museum Munich, the Monacensia, the Haifa Cinematheque and the Institute for Hebrew Literature.

Premiere 30.10. UA
Zeit ohne Gefühle

The past never goes away • Director: Christine Umpfenbach • A story from Feldafing about all of us by Lena Gorelik

Premiere 4.12. UA
Play Auerbach!

The ‘Messiah of the Survivors’ – thoroughly forgotten! • Director: Sandra Strunz • A Munich remembrance revue • By Avishai Milstein

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Continuing in the program
Werkraum

Performance, theatre, literature, discussions, conversations and concerts – dancing, laughing, crying, arguing and reconciling

The doors are open, and so are our hearts – and luckily, the bar is, too.

On the third floor of the Blaues Haus, the Werkraum and TAM TAM Staircase Bar await you. Come as you are and leave whenever you want. Most of the time, you’ll want to stay anyway.

“Glam the Future” Sustainability in the Werkraum:

The Kammerspiele is continuously grappling with the effects of climate change. In the 2025/26 season, we are going one step further in the Werkraum by exploring how theatre can be produced sustainably and in a climate-neutral way. Rather than being a burden, sustainability is a necessity for securing the future – and as such, we want to celebrate it! That’s why the Werkraum is becoming climate-neutral over the course of this season.

Funded by the “Zero Fund” programme of the German Federal Cultural Foundation

Next Generation in the Werkraum:

The Werkraum is a stage and lab for the youth theatres and the Otto Falckenberg School – the City of Munich’s professional academy for acting and directing. Through their own and professionally guided works, the next generation is demonstrating what the future holds for theatre.

MK Projects
Werkraum
2x241 Titel doppelt so gut wie Martin Kippenberger

by Frankfurter Hauptschule

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Habibi Kiosk

The mission: We save Maximilianstrasse!

At the Habibi Kiosk, repressed stories and ideas of Munich residents and their allies become art, encounters and participation. A place where new alliances are created through artistic collaborations. Events – concerts, talks and workshops – are always free of charge here.

Tue – Fri 16:00 – 20:00 and during events.
Program & more info via Instagram: @habibi_kiosk

MK Projects
MK: Music

Music in the theater seeks the narrative potential of music. The result is international concerts, but also own productions from Munich.

15.10. Concert Music
Die Gruppe Ja, Panik: Musik gegen Musik

Dostoyevsky in the disco? The Austrian Nihilists invite you to one of their rare concerts

8.11. 9.11. Party Concert Music
EROBIQUE: Simply The Best

Chairs out of the theater - the living disco ball is coming to town!

Standing audience in the playhouse during a concert.
MK Projects
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MK: JCOM

Orchestra in Residence

For many years, performances by the Jewish Chamber Orchestra Munich have formed an integral part of our programme. Their concerts insightfully explore Jewish life in Germany and beyond. The orchestra, conducted by Daniel Grossmann, brings to light what all too often remains hidden, unfolding the enormous narrative potential of the interplay between music and theatre.

Now we are opening a next chapter in our collaboration: The JCOM is becoming the Münchner Kammerspiele’s “Orchestra in Residence”. From the next season onwards, all of their Munich concerts will take place here – with the exception of their traditional New Year’s Concert. We are looking forward to joint productions and many exciting concerts.

More dates in the season 25/26

Die Goldberg-Variationen 24.11.
Mendele Lohengrin: Ein Klezmer-Singspiel 28.1. & 8.2.
Minimal Opera: Herzog Blaubarts Burg 15.3.
Paul Ben-Haim: Eine Konzert-Biographie 20.4.
Das jüdische Italien 20.5.

Michel Friedman talks to:

Katrin Eigendorf 23.10.
Harald Lesch 19.11.
Carlo Masala 14.1.
Aladin El-Mafaalani 27.2.
Aline Abboud 13.3.

The philosopher, journalist and author Michel Friedman is and remains one of the sharpest observers of current affairs. Since the 2024/25 season, he has been meeting prominent guests on the Schauspielhaus stage once a month to debate key concepts of a democratic society. We are continuing this discussion series in the 2025/26 season – so you can look forward to these and further guests!

In cooperation with the Munich City Library

Guest performances
17.10. 18.10. Gastspiel Werkraum
oder kann das weg

By Serge Okunev

28.10. 29.10. Gastspiel
Die große Klassenrevue

Christiane Rösinger / HAU

MK: Take part

The platform for thinking, talking and participating. The place for encounters, collaborations, artistic debates and playful experiments. An invitation to guided tours, workshops, theater clubs, talks with artists and more. Come and join in!

Program Take part
MK: Take part
All Abled Arts

For five years, inclusion has not just been an add-on but, instead, an integral part of the Münchner Kammerspiele’s identity. Our inclusive ensemble is growing, experimenting, asking questions – and in doing so, bringing long-term change to how theatre is made. Here, artists with and without impairments work together as a matter of course – not as an exception but as part of the system.

Several people are sitting in a small room, dressed in colorful and extravagant clothes.
MK Projects
Say hi to our subscriptions!

The subscription is an invitation to discover innovative theater art again and again, to spend inspiring evenings and to reflect together on the reality.

All subscription series include four to six performances in the Schauspielhaus with seat reservations and dates announced for the entire season.

Service Say hi to our subscriptions!

Find all the subscription dates here.

Service Subscription dates 25/26

Watch the press conference here